When I was a child, I had a book about 20th century art which featured Edward Kienholz. His work made a lasting impression on me (impressionable young girl?).
I’m not a young girl anymore but I was mesmerised by Roxy, an installation from 1961/1962 showed at the Punta della Dogana (François Pinault’s Foundation) in Venice.
Too bad I missed the Hoerengracht at the National Gallery two years ago.