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A blog about Belgian culture in London. A blog about the arts in London, Brussels and Milan, from a Belgian point of view.

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Sometimes you find yourself equally enthused by the art as by the artist. This is what happened when I met taxidermy artist Polly Morgan, through my arts club Love Art London.

Before you all start screwing your face in disgust at the idea of taxidermy or start raising ethical concerns, read the opening statement on Polly’s site:

All taxidermied animals are either road casualties or have been donated to the artist by pet owners and vets after natural or unpreventable deaths.

Which is to say: no animals were hurt in the making of these works (as they were already dead).

Polly Morgan

Polly Morgan

A few months ago, we visited Polly’s studio in east London. This was my first encounter with taxidermy (apart from passing by the “Get Stuffed” shop in Islington on the 73 bus) and I was quite curious to discover more about the technique behind it.

Friendly and approachable, she explained her method of working, her background and her projects, a conversation we continued in the pub afterwards.

One of my favourite pieces were these chicks coming out of a telephone receiver:

Polly Morgan

Hers is, however, the kind of work that renders much better “in the flesh”: describing it with words or pictures won’t convey its beauty and poetry. Which is why I cannot recommend enough visiting Endless Plains, her current installation at All Visual Arts gallery, close to King’s Cross station, which is on until 31 August. Inspired by a recent visit to the Serengeti, this new exhibition “confronts the viewer with the uncompromising cycle of life; the predator, the parasite and the prey”.

Polly Morgan - The Fall

Polly Morgan – The Fall

(NB: The tree in “The Fall” is not made of actual “tree” but of fiber glass – it is amazingly real though)

Some of the pieces exhibited were in the making at the time of our studio visit, and it is quite fascinating to observe how they have developed or sometimes just changed completely. This video by the excellent Crane TV gives you a more animated idea of the whole thing.

So, let me say this again: go go go and see the installation, especially if you have doubts about taxidermy. I am pretty sure Polly’s work will win you over.

In art there are a few things which I am slightly obsessed about. In music it’s Mozart’s Requiem, in architecture art deco (think Villa Necchi-Campiglio in Milan, think Palais Stoclet in Brussels). Another of my pet crazes is sacred, or religious, art.

I particularly like the works of the Early Netherlandish (aka “Flemish primitives”) painters. I love the aesthetics and the level of details that can be found in these.

Ghent Altarpiece Mystic Lamb Van Eyck

Ghent Altarpiece or “Adoration of the Mystic Lamb” – Van Eyck

That’s the Van Eyck brothers’ “Adoration of the Mystic Lamb“, which is on display in Saint Bavo cathedral in Ghent: hours and hours of delightful observation guaranteed.

Problem: most of these Early Netherlandish paintings depict biblical topics. And it is not only Early Netherlandish sacred art that I like. I am equally enthused by some other annunciations, crucifixions, etc, such as Fra Angelico‘s San Marco paintings or the Issenheim Altarpiece.

Issenheim altarpiece - Matthias Grünewald

Issenheim altarpiece – Matthias Grünewald

Matthias Grünewald’s altarpiece is one of the most powerful things I have ever seen. I was 15. I was on a ski holiday in the French Vosges (the poor’s Alps) with my family; there was no snow; we resorted to visiting the surrounding area. Fifteen years later, I still remember vividly how shocked I was by this work. Should you ever find yourself in Colmar, be sure to pay a visit to the Unterlinden Museum, where it is displayed.

Why is that a “problem”? Aside from the fact that it’s not particularly cool to like sacred art – it’s much more so to be into the other “s” art, namely, Street Art – I am myself not very religious. So my love of religious paintings made me a little uncomfortable. Why should I be so strongly attracted to them, when I don’t really believe in the stories they tell?

That’s where Alain de Botton comes in. Good old Alain: he endeavours to help you out in all areas of your life – architecture, status, travel and now, religion. The main point of his latest book, “Religion for Atheists“, is that the supernatural claims of religion are entirely false — but that religion still has some very important things to teach the secular world.

One of his chapters is entirely devoted to art. While I will not go into details (read the book!), he basically says it’s alright to like religious art, even when you consider yourself a non-believer. Amongst others, he argues that “Christianity recognizes the capacity of the best art to give shape to pain and thereby to attenuate the worst of our feelings of paranoia and isolation.”

Thank you for ridding me of my complexes, Mr de Botton: I feel I can now indulge in as many “Virgin and Child” and “Descent from the Cross” as I like.


A Bonus
for those of you who made it until the end of this post: some “cheeky” religious art…

The Ecstasy of Saint Teresa is a baroque sculpture in the Santa Maria della Vittoria church in Rome. You can read about some interesting interpretations of Bernini’s work on Wikipedia.

Ecstasy of Saint Theresa - Bernini

Ecstasy of Saint Theresa – Bernini

I will not comment for myself, as I have yet to see the sculpture…