Yesterday I went to the Frieze Art Fair. I am adding the “Art Fair” bit, because on Friday when I asked at the pub if anyone was going to Frieze, someone answered “Yes” thinking I was actually enquiring whether they were very cold…
It was my second visit to this international contemporary art fair, which takes place every October in Regent’s Park. Quite a few of my friends refused joining me this year, on the ground that tickets were too expensive. In a way, they’re right: £28 to do not even “art shopping” but “window art shopping” is probably a bit much. But I couldn’t resist going, for there is no doubt Frieze is the arts event in autumn in London.
Just like last year, I paid particular attention to the Belgian galleries that had made the trip to London for the occasion. Here is a short report of what I’ve seen, in alphabetic order. Unless specified otherwise, all these galleries are based in Brussels.
Almine Rech Gallery: Their current Jeff Koons exhibition, the first in Brussels since 1992, is big news in Belgium. Everyone (including me) seemed to like Gregor Hildebrandt’s “Madge Evans” – a good way to recycle old cassettes in a glamorous way.
Galerie Catherine Bastide: Catherine Bastide was showing works by Valerie Snobeck and Jean-Pascal Flavien. I found Flavien’s reflection on space, or “physical phrases” (climbing, sleeping, waiting, and sitting), very interesting.
Dépendance: The gallery was exhibiting in the “Focus” section of Frieze, open to galleries established after 2001 and showing up to three artists. They had chosen Henrik Olesen, Nora Schultz and Josef Strau, three Germanic artists whose works dialogue nicely.
Galerie Micheline Szwajcer: Based in Antwerp, this gallery represents some big names, including Hans-Peter Feldmann (a favourite of mine) and Carsten Höller. At Frieze they were showing “Homeless Cat”, a 2011 work by David Claerbout. I must have seen this interactive, real-time video synchronized with actual day and night time at Parasol Unit this spring, although I can’t remember it. They were also showing “Golden Square”, a 2012 work by Ann Veronica Janssens.
MOT International: This London-based gallery opened a second space in Brussels one year ago. In the “Focus” section of Frieze they were showing a video by Elizabeth Price, who is a 2012 Turner Prize nominee.
Office Baroque Gallery: This Antwerp-based gallery was also exhibiting in the “Focus” section. They had brought three American artists to Frieze; I quite liked Aaron Bobrow’s “Maitland”.
Zeno X Gallery: Another Antwerp-based gallery, Zeno X was in the A1 stand (the very first one). I was really intrigued by the work of Dutch artist Kees Goudzwaard. At first sight it looks like minimal colour studies constructed from rectangles of paper and tape. Upon close inspection, you realise that his works are actually painstakingly created trompe l’oeil paintings.
Having written all this, I have a (major) confession to make: I have never visited any of these galleries. In my defence, I haven’t been living in my homeland since 2006, and back then contemporary art wasn’t my priority. I pledge, next time I am back for more than a few days (and there is no major event like, say, my sister getting married), to pay these Belgian galleries a visit on their own grounds.
A few random thoughts about Frieze to round off this article
1. Sometimes I wonder what would happen if one of the galleries came to the fair with a PC… Would they be allowed in at all? (And I say this as someone who’s been using Macs since 1999.)
2. I couldn’t repress a smile when a visitor enquired out loud whether Paul McCarthy was “the singer”, McCartney and McCarthy’s artistic outputs being quite different.
3. Gail’s Bakery makes really delicious sandwiches and cakes, at reasonable prices. I wish they would open a store in Covent Garden.
4. Yesterday proved to be a linguistic golden opportunity: it is not that often that I can use all five of my languages in the space of one afternoon. That’s very much the spirit of an international art fair I suppose.